Wednesday, February 17, 2010


25. Sabbatical


For the past 4 weeks I have been on sabbatical. Although I like my church job very much, indeed even thrive on it, having this much free time from the ever-recurring Sunday morning has been a tremendous gift. A little breathing space, a chance to step back and think, some time to see friends- these and more have been most welcome.


Somehow I missed the idea of resting during a sabbatical and instead am hard at work. Most mornings I have been driving 17 miles to St. Francis church in Blue Hill to practice on their fine Wilhelm organ. And on Fridays I've made the 2 1/2 hour trek to Brunswick for a lesson with my teacher Ray. The practice time has been pure bliss-although I normally practice quite a bit each week it's always with the goal of having something ready for an upcoming Sunday. For the past few years I've wanted to learn some specific new repertoire and have been frustrated in my attempts to do that. So after careful thought I decided to focus on the following: Bach's Prelude and Fugue in G Major (the most challenging piece I've ever played), Vierne's lovely, evocative Clair de Lune, and two chorale preludes by Brahms, O Welt, ich muss dich lassen and Herlich tut mich erfreuen. I have made great progress on these works but likewise have discovered that I must keep them at the top of my priority list for some time if I'm ever to perform them successfully.


Not having to play on Sunday I have taken the opportunity to attend other churches, mostly Episcopal, in the area. Last weekend a friend of Bill's was visiting and when I told him I was on sabbatical he commented Great! Then you can sleep in tomorrow! I replied that no, I was planning to go to church, and he looked baffled. So I explained that I wanted to hear my colleagues play and see what creative things other parishes were doing with liturgy. While that may be true, it is not the complete truth. I am actually going to church on my days off because I want to. I need that time of quiet, of getting away from my own concerns, of being in the spiritual presence of something greater than myself...I need to worship.


I will be "back on the bench" this week and I am ready. I have missed playing that spine-tingling postlude, registering the hymns in a way that brings out the text, setting the last note of the prelude in just the right place. And I look forward to seeing my choir, with their eager faces full of anticipation and trust.





Sunday, January 31, 2010

24. Reading List


For weeks I have been thinking about this list of the best books I read in 2009. Should I just include the top 5? Will anyone actually look at the entire list if it's long? Who am I to voice an opinion about these books? My reading got off to a shaky start last year; I read a few truly mediocre things and wondered what was going on, even thinking that the craft of writing was going downhill. But then after a few weeks I hit my stride and haven't stopped since. Already in 2010 I've read something notable and have a huge pile of promising suspects next to my bed.


So here's my lengthy list of favorites for last year, mostly in the order I read them. And I would love to hear your comments on these books, too, if you are familiar with them.


Out Stealing Horses by Per Petterson. Petterson is Norwegian and his description of landscape is hauntingly beautiful. The main character is a retired man who returns home to live out his years in a remote cabin. Flashbacks of his younger days with his father are interspersed with adjusting to life alone.


The Hearts of Horses by Molly Gloss. An independent, go-getter young woman makes her living breaking horses in Oregon during World War I.


The Tenth Muse-My Life in Food by Judith Jones. Jones, editor for Julia Child, writes a chatty, but inspiring book about the importance of good food. I particularly liked her admonition to cook well, even if it's just for one.


Olive Kitteridge by Elizabeth Strout. There has been so much said about this book; what can I possibly add? That in my last days I don't want to look back and see that I've squandered day after day. I will read this again.


Seeking Peace by Mary Pipher. Pipher is best known for her Reviving Ophelia, a book I didn't much like. But this one is full of wisdom for a woman my age. She is a stunningly compassionate and astute writer.


American Wife by Curtis Sittenfeld. A fictional biography of Laura Bush. Not being a fan of Mrs. Bush , I absolutely DID NOT want to read this book! But a choir member thrust it into my hands and said You have got to read this. She was right: I couldn't put it down and likewise learned something about seeing a story from more than one side.


Appassionata by Eva Hoffman. The title refers to Beethoven's piano sonata of the same name and well describes the temperaments of the two main characters. Isabel, an accomplished pianist, begins a tumultuous affair during a concert tour with Anzor, a Chechen man. Along the way she begins to question the importance and significance of her chosen career and wonders does making music do any good for the world?


Where Dreams Die Hard by Carl Stowers. A small, sweet story of one year in the life of the 6-man football team in Penelope, Texas. I know something about this town, as my first husband was pastor of the Baptist church there in 1977 and I, of course, played the piano for services.


Drinking the Rain by Alix Kates Shulman. Compelling memoir of a woman finding herself in her 50's, after raising a family and discarding a bad marriage. Her later memoir, To Love What Is: A Marriage Transformed was on my list last year.


The Whole World Over by Julia Glass. A good, old-fashioned novel with believable, quirky characters to love, cry over and encourage. Much of the story takes place in Santa Fe and I could taste the green chilies and feel the unrelenting southwestern sun.


A Happy Marriage by Rafael Iglesias. The saga of a marriage, not always or conventionally happy, from the first meeting to final goodbye. The book alternates between the couple's last few years, as he cares for his dying wife, and the story of their courtship, marrying, raising children and negotiating the hurdles of life. You'll shed tears over this one.


Why Religion Matters by Huston Smith. This venerable author explains just why religion does matter to our hungry, suffocated souls. The finitude of mundane existence cannot satisfy the human heart completely. Built into the human makeup is a longing for a "more" that the world of everyday experience cannot requite. Not an easy read, but worth the struggle.


That's it. Twelve notable and worthy books. Happy Reading.

Wednesday, January 13, 2010

23. Cooking with Christie




New Year's Eve has always been an overrated holiday in my book. For years I ignored it by hosting a big open house on January 1, complete with a pot of black-eyed peas for good luck, of course. With 30 or so friends arriving on our doorstep that day, there was no way I could go out and party the night before. But more recently Bill and I have been going to Connecticut for the holiday to visit our friends Christie and Jay and I'm learning how to celebrate in style. Despite having to dodge snowstorms on each trip, I like this new tradition and hope it will continue.


Christie and I met in 1985 when our babies were baptized together in Dallas. Subsequently both of our families moved to New England and even though we live 400 miles apart our friendship has prospered. I-95 from Maine to Connecticut has become commonplace for both of us- no map needed. Up until their college years Christopher or Emily would usually be in tow and we even stopped for a visit on our way to Emily's first semester at GW.


Very early in our friendship Christie and I found we were both interested in cooking good, healthy and at times unusual food. We discovered the wisdom of Jane Brody together and have searched out many a recipe containing olives or capers. My cookbooks are filled with notations such as made this with Christie or recommended by Christie and I have a large pile of recipe clippings that she's sent me from the New York Times. Each of our visits has been a chance to experiment with something new or show off a recent success.


This New Years was no exception. On December 30 Bill and I headed down the highway to spend the holiday with Christie and her husband Jay. When we walked into the house savory rosemary pecans and spicy olives were awaiting us, with sherry and white wine to drink. Before much time had passed Christie and I began to discuss our New Year's Eve menu. We tossed around a few ideas and looked thru cookbooks and clippings. And we came up with a fabulous meal to celebrate the old and anticipate the new. Here's the menu:



Chicken with Capers and Lemons

Roasted Carrots and Parsnips

Green Goddess Salad

Strawberries and Pecans Flambe'


And of course, French champagne. Make that 2 bottles.


Below you'll find some recipes. As many of us enter the gloomy, bitter, dark months of winter, I recommend inviting a few friends over to share this meal, guaranteed to chase away the doldrums. Happy New Year!


Chicken with Capers and Lemons (serves 4)


Roasted Lemons:

3 medium lemons, scrubbed, thinly sliced and seeded

1 teaspoon olive oil

1/8 teaspoon sea salt or more to taste


Preheat oven to 325 degrees. Line a baking sheet with parchment paper and arrange the lemons in a single layer. Brush lemons with oil and sprinkle with salt. Roast until slightly dry and beginning to turn brown around the edges, about 30 minutes.


Chicken:

Boneless, skinless, thinly sliced chicken breast halves, about 1 pound

1/8 teaspoon salt, or to taste

Freshly ground black pepper to taste

1/4 cup all purpose flour

2 teaspoons olive oil

1 1/4 cups fat free, lower sodium chicken broth

3/4 cup white wine

2 tablespoons rinsed and drained capers

2 teaspoons unsalted butter

3 tablespoons chopped fresh parsley, divided


Sprinkle chicken with salt and pepper. Dredge in flour to coat both sides. Shake off excess flour. In a large nonstick skillet, heat the oil over medium high heat. Add chicken and cook until golden brown, 2 to 3 minutes per side. Add chicken broth and wine and bring to a boil, scraping up any browned bits. Cook until liquid has thickened, about 5 to 8 minutes, turning chicken halfway.


Add roasted lemons, capers, butter, 2 tablespoons parsley and more pepper if desired. Simmer until butter melts and chicken is cooked through, about 2 minutes. Transfer to a serving platter, sprinkle with remaining parsley and serve.


Green Goddess Salad (we used a recipe from the New York Times, available online)


Sauteed Pecans with Strawberries Flambe' (from Bragg Pecans in Hondo, Texas) serves 4


1/3 cup pecan or other nut oil

1/2 cup packed brown sugar

1/2 cup brandy

1 cup fresh pecans

1 pound fresh strawberries, washed, hulled and sliced

1 quart vanilla ice cream


Saute pecans in oil with the brown sugar until sugar is dissolved and begins to bubble. Add strawberries and warm through. Add brandy, ignite, stand back and SCREAM! Allow alcohol to completely burn off and serve over ice cream.





Wednesday, December 23, 2009


22. A Funeral


The souls of the righteous are in the hand of God...


The Book of Wisdom



In my work as a church musician I find that I prefer to play for funerals rather than weddings. Before I am accused of being macabre, let me explain. Many couples come to Bar Harbor for "destination weddings" and treat the music for the ceremony as peripheral to the bride's gown, the flowers, the dinner and all that. Often the entire wedding party just seems eager to get to the reception afterwards and I end up feeling like the "hired help."


A funeral or memorial service is a different story, however. Music here is traditionally used to set a somber, soothing tone, and also allows mourners to recall memories of the beloved. But most of all it is able to express bereavement beyond words.


Last week I played for the funeral of a 20 year-old boy from Mount Desert Island. Benjamin had been at a party, drinking, and wandered outside where he passed out and died from exposure. From reading his obituary I determined that life had already thrown this sweet young man some hard knocks and I was captivated by this line: He will be missed by his canine companions Zoey and Danny.


About half an hour before the service I walked into the church to organize my music. Already there were two pews filled with stone-faced young women, staring silently ahead, full of grief and disbelief. Gradually the church filled to capacity with friends and relatives of this lobstering family, who was now facing the unthinkable. I played Bach and Brahms. Despite knowing that these works were most likely unfamiliar to the listeners, I played them anyway, confident of their ability to offer solace and comfort.


Our rector Jonathan tackled the circumstances of Benjamin's death head-on. He did not mince words about dying and acknowledged the questioning of God that was surely going on among the congregation. Why did God not save Benjamin? How could God let this happen?


Most of us have wondered the same... I grew up with a theology which encouraged me to believe in an all-powerful, omniscient God. This God had his finger on the world and controlled everything. Tragic events were somehow "God's will" and good people were rewarded with loving families and material success. I started the painful, never-ending process of questioning these beliefs while in college. And I see now that one's theology is never concrete; it ebbs and flows, expands and contracts, with the experiences life provides us.


It seems to me that what I call God is with us, period. In the bountiful times, the ordinary times, the horrific times, the brokenhearted times. There is nothing or no one who can protect us from life or death. We live, with all that encompasses, and we die. In the tragedy of Benjamin's young death my faith allows me to be comforted in knowing that in that cold, dark woods he was not alone.

Monday, December 7, 2009


21. A Texas Thanksgiving


It's that time of year again- snow boots down from the attic, frost on my car windows in the morning, hardening ground underfoot, growing darkness on both ends of the day. The leaves are off the trees and now one can see the houses, barns and clutter that have been hidden all summer. All these signs point to the November-December holidays. As an exile in Maine I have always found Thanksgiving to be the most difficult holiday to be away from Texas. Not Christmas, you might ask? No, Christmas is mostly about work for me- there's no time to feel homesick.


It's turkey day that gets to me. After living in Maine for 16 years we have never established our own Thanksgiving tradition. Several times we have had friends over and often have been invited elsewhere. We've tried restaurants and have gone to Texas once or twice. But I just can't get away from the feeling that Thanksgiving is really about sitting around a big table with my family and stuffing ourselves with a Butterball bird and cornbread dressing.


All of this should take place, of course, at my family home in Lubbock, and therein lies a new wrinkle in this year's celebration. It has now been a year since I have been to Lubbock: the family home has been sold and my parents have moved to a suburb of Dallas. And despite agreeing with the Dixie Chicks' view of my hometown- Dust bowl-Bible belt-Got more churches than trees- at times I find myself longing for the wide open spaces, dazzling light, and big, big sky.


When I learned that Emily would not be coming to Maine for Thanksgiving I just couldn't stand the thought. So I immediately started searching for affordable flights and a Sunday sub and Bill and I made plans to head to Texas for a week. We stayed with my mom and dad in their retirement apartment in Irving, visited some friends, heard the Dallas Symphony and enjoyed sunny, warm weather. But most importantly we had Thanksgiving dinner around a big, jovial table, surrounded by family.


Last Decemeber I wrote about my struggles with Yankee stuffing and my frustration at trying to replicate my mother's cornbread dressing. Well, I had a hands-on lesson from her and now I can do it! The torch of hosting Thanksgiving dinner was officially and successfully passed to my sister Amy. It wasn't Thanksgiving in Lubbock, but it was close enough.

I suppose many of us in our 50's question some of the choices we've made: leaving home to go to college, moving to the big city of Dallas, finally settling down in Maine. I can't help but wonder what it would be like to have my parents hear one of my recitals, to see my niece and nephew on a regular basis, to enjoy family gatherings frequently instead of twice a year. (And yes, I know those get-togethers can be burdensome.) My career and a treasure trove of good friends and memories are here in Maine, but I am sometimes lonely for those blood-ties.






This fall I've become well-acquainted with a musical setting of Robert Frost's The Road Not Taken by composer Randall Thompson. For many children memorizing this poem is de rigueur in elementary school, but thanks to this wistful, poignant song I feel that I have at last, as an adult, heard the meaning of Frost's famous words.



The Road Not Taken



Two roads diverged in a yellow wood
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I-
I took the one less traveled by,
And that has made all the difference.

Robert Frost






Monday, November 16, 2009

20. An Older Man


Today is my husband Bill's 76th birthday...and I find that it is giving me pause. Bill does not look his age and is unusually fit for a septuagenarian; nonetheless that is his age. I am 54.


When we first met (I was 27) and were in the early stages of our relationship we were both acutely aware of our age difference. We noticed that people stared at us and were confused by our physical displays of affection. But as time went on we grew comfortable with each other and didn't notice those looks so much, and then when Emily was born it just didn't matter. Being worried about what a stranger thought was the last thing on our minds.


For perhaps close to 20 years our age difference was not much of a concern. My employers and our friends never said a word and my family stopped mentioning it. Bill's health was, and continues to be, excellent. But at a recent gathering I introduced myself to a woman and as I turned to introduce Bill she blurted out And this is your father! I've become aware that a change is underway which will affect my life significantly.


I am familiar with the encroachment of old age, watching it in my parents and aunt and in numerous choir members and church friends. It can be a slow diminuendo- some forgetfulness, a bit of confusion, physical ailments large and small, loss of hearing, stiffness and aching joints, disinterest in going out- but over the course of a few years one does notice the changes. I am starting to see these things in Bill, gradually, and I say this not out of fear, blame or dread, but as a way of looking honestly at the future.


While in Ecuador this past summer Bill passed out 3 times due to the inability of his heart to pump enough oxygen thru his body. High in the Andes, there was no modern medical care and we did not really know what was happening. It was frightening enough that we had the what if? conversation. Funeral wishes and the like. Fortunately these episodes were a result of the altitude and not an underlying health problem. But I didn't know that as I struggled to keep my suddenly frail husband from collapsing.


Back to the birthday...of course we had a party. In 26 years of marriage I remember only one year that we didn't invite friends over to celebrate. This year it was a small dinner party and I served an old favorite, Chicken Marbella. And for the first time in several years I made the cake, which was over-the-top scrumptious. So here's the recipe, and for you foodies out there don't prejudge the combination of a cake mix, instant chocolate pudding and chocolate chips. Take this cake to a party and they'll think you slaved for hours.


Death by Chocolate

(from Southwest Flavor by Adele Almador)


12 ounces semi-sweet chocolate chips

1 3/4 cups milk

2 eggs

1 devil's food cake mix

4 ounces instant chocolate pudding


Mix cake mix, milk and eggs for 30 seconds.

Add pudding and mix at medium speed for 2 minutes.

Stir in chips.

Pour into a greased and floured Bundt pan.

Bake at 350 degrees for 55 minutes.

Let cool 5-10 minutes before releasing from pan.


This cake gets better with age, so make a day or 2 ahead of time. I served it with vanilla ice cream and a sauce made from frozen Maine strawberries.


Happy Birthday, Bill.

Monday, October 19, 2009

19. Dinner with the Homeless

Situated at 8335 feet above sea level, the beautiful city of Cuenca, about half-a-million strong, lies in the midst of the Andes in Southern Ecuador. Arriving by air, one peers out the plane window over miles and miles of red tile roofs. The intellectual center of this part of the country, Cuenca has for centuries been the birthplace of writers, artists, poets and philosophers. After being in crowded, polluted Quito it is a relief to breathe clean air and to be free of the heartwrenching child beggars tugging on your sleeve.


The old part of the city oozes charm and history and the cobblestone streets are lined with one small quaint shop after another- hatmaker, silversmith, dentist, grocer. Many of the people still dress in indegenous clothing, including Panama hats and colorful ponchos. I had the feeling that the 21st century had not quite made it in the door. The Tomebamba River winds its way through the city and on sunny days one can watch women and children washing their clothes here and then laying them on the banks to dry.

In the middle of the city is a large, traditional market containing dozens of stalls overflowing with fresh produce, meat and fish. Huge baskets of fresh blackberries, potatoes of every kind, slabs of meat hanging from the ceiling and cattle hooves artfully arranged are just a few of the market's offerings. Of course we gringos were afraid to sample much, but the place was hopping with regular customers on a weekday morning. In the midst of the crowds and hustle bustle I saw a young mother sitting on a staircase cradling her child, around eight years old, in her lap. The boy was handicapped, unable to hold up his head or focus his eyes, and near the mother was a beggar's cup. This scene stopped me dead in my tracks and I was frozen in place, seemingly incapable of either following my group or placing money in her cup. Finally, for fear of getting lost in the crowd, I turned to catch up with the others and to this day I do not understand why I did not give the woman a twenty dollar bill, or more. I regret it deeply.


For me, the high point of the choir tour to Ecuador was the time spent at La Iglesia de San Fransisco in Cuenca. A few years ago our conductor Ray and his partner David befriended the priest at this church, Padre Rigoberto Jara. At that time the church was falling into disrepair and struggling to keep its congregation together. Padre Rigoberto, a young dynamo, has brought the church back to life. The roofs are repaired, work has begun on the interior and there is a large, enthusiastic congregation. And he has begun an important mission for the area, a much-needed homeless shelter.


The day of our concert at La Iglesia, which was to be a benefit for the shelter, Ray, David and I went to the church a couple of hours early to check out the performance situation (specifically the keyboard!). There we met Hugo, a generous and enthusiastic young man, who was loaning us his keyboard for the concert. He had recently graduated from the university in Cuenca, where he studied music. Hugo was eager to demonstrate the possibilities of the keyboard and I asked him to play something for us: to my surprise he launched into a passionate, virtuosic performance of a Chopin etude.


Ray, David and I were then invited by the priest to his private quarters for tea and cookies. The four of us sat around a plain table, struggling to communicate across a significant language barrier. Padre Rigoberto's gratitude was palpable and I was touched at his offering of hospitality, a true example of where two or three are gathered...

And then it was time for dinner. The choir had arrived and I'm not sure if any of us knew that the meal was to be at the homeless shelter, adjacent to the church. We climbed a rickety metal staircase to the dining area, where I witnessed innumerable acts of mercy and kindness. A tiny old man, shuffling up the stairs, was afraid of our presence and tried to turn around and leave. One of the workers gently took his arm and guided him back into the room, refusing to let him go away hungry. The servers and the homeless were often on a first-name basis and there was genuine concern that everyone was getting enough to eat and would have a safe place to sleep that night.

Yes, it was awkward and uncomfortable, sitting in the midst of these homeless men and women. Even if we'd spoken the same language, what does one say in this situation? Some were gregarious and others would not even make eye contact. As the simple but nutritious meal was served Ray rose from his chair and asked the choir to sing a blessing- Peter Lutkin's The Lord Bless You and Keep You, which they had learned in Spanish. This is a beautiful, traditional benediction with a glorious, extended Amen that even under "normal" circumstances can bring listeners to tears. But it was so much more in this setting- a rare and extraordinary bridge between strangers and across borders, an affirmation of the human spirit.

How does one perform after an experience like this? Somehow we did- the church was packed and some of our dinner companions even came to listen. When we performed the songs from Ecuador the audience members joined in, singing at the top of their lungs, swaying, clapping. Padre Rigoberto was ecstatic and even Hugo came up to me afterwards and said Hey! You're not too bad!


This city and these people are thousands of miles from Maine. Many lack the basics of sufficient food, adequate housing and medical care. The choir did raise some much needed cash for the shelter at concerts in Brunswick and Cuenca, and we brought blankets and towels from the US. That is important; it is critical. But there is more: with our music we fed their spirits, their souls, and that is important, too.